Roger Philippon, a Lewiston native and retired dean of Planning and Public Affairs at Central Maine Community College, is making his professional acting debut as an understudy in the Maine State Music Theatre's production of '1776'. This Tony Award-winning musical brings to life the Second Continental Congress in 1776, where delegates from the 13 colonies gathered to debate and sign the Declaration of Independence. Philippon has memorized the parts of five characters present during this pivotal moment in American history: Caesar Rodney, delegate from Delaware; James Wilson, delegate from Pennsylvania; Stephen Hopkins, delegate from Rhode Island; the Rev. John Witherspoon; and congressional secretary Charles Thomson.
What makes this story particularly fascinating is the unique role Philippon has taken on. As an external understudy, he is not playing any minor roles but is instead prepared to step into any of the five lead characters at a moment's notice. This is a challenging task, as understudies typically play minor roles and cover for lead actors if they fall ill. However, Philippon's extensive acting background, including over 30 productions at Community Little Theatre in Auburn, has prepared him well for this role.
In my opinion, Philippon's dedication to memorizing the lines and taking extensive blocking notes showcases his commitment to the craft. He acknowledges the challenge, but his familiarity with the show and the support of the Maine State Music Theatre team have made it manageable. The fact that he has been treated as a cast member, even though he is an understudy, highlights the respect and professionalism of the theatre company.
This story raises a deeper question about the importance of understudies in live theatre. As Curt Dale Clark, the artistic director, mentions, the role of an understudy has become more crucial than ever, especially after the pandemic. Having experienced performers like Philippon ready to step in gives the production team confidence that the show can go on, no matter what happens. This is a testament to the dedication and versatility of theatre professionals.
What this really suggests is the importance of versatility and adaptability in the performing arts. Understudies like Philippon are often unsung heroes, ensuring that productions can continue even when unexpected challenges arise. Their commitment to memorizing lines and understanding the nuances of multiple roles is a remarkable achievement, and it is a pleasure to witness their dedication and professionalism in action.
